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Chinese Cultural Studies:
Matteo Ricci:
The Art of Printing
(late 16th Century CE)

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from The Diary of Matthew Ricci, in Matthew Ricci, China in the Sixteenth Century, trans Louis Gallagher, (New York: Random House, 1942, 1970), as excerpted in William J. Duiker and Jackson J. Speigelvogel, World History, (Mineapolis/St. Paul: West, 1994), p. 652

[Duiker Introduction] One of the first sources of information about China were the Jesuits who served at the Wing court in the sixteenth and seventeenth centuries. Clerics such as Matteo Ricci found much to admire in Chinese civilization. Here Ricci expresses a keen interest in Chinese printing methods, which at that time were well in advance of the techniques used in the West.


The art of printing was practiced in China at a date somewhat earlier than that assigned to the beginning to printing in Europe, which was about 1405. It is quite certain that the Chinese knew the art of printing at least five centuries ago, and some of them assert that printing was known to their people before the beginning of the Christian era, about 50 BCE Their method of printing differs widely from that employed in Europe, and our method would be quite impracticable for them because of the exceedingly large number of Chinese characters and symbols, At present they cut their charcters in a reverse position and in a simplified form, on a comparatively' small tablet made for the most part from the wood of the pear tree or the apple tree, although at times the wood of the jujube tree is also used for this purpose.

Their method of making printed books is quite ingenious. The text is written in ink, with a brush made of very fine hair, on a sheet of paper which is inverted and pasted on a wooden tablet. When the paper has become thoroughly dry, its surface is scraped off quickly and with great skill, until nothing but a fine tissue bearing the characters remains on the wooden tablet. Then, with a steel graver, the workman cuts away the surface following the outlines of the characters until these alone stand out in low relief. From such a block a skilled printer can make copies with incredible speed, turning out as many as fifteen hundred copies in a single day. Chinese printers are so skilled in engraving these blocks, that no more time is consumed in making one of them than would be required by one of our printers in setting up a form of type and making the necessary corrections. This scheme of engraving wooden blocks is well adapted for the large and complex nature of the Chinese characters, but I do nor. think it would lend itself very aptly to our European type which could hardly be engraved upon wood because of its small dimensions.

Their method of printing has one decided advantage, namely, that once these tablets are made, they can be preserved and used for making changes in the text as often as one wishes. Additions and subtractions can also be made as the tablets can be readily patched. Again, with this method, the printer and the author are not obliged to produce herc and now an excessively large edition of a book, but are able to print a book in smaller or larger lots sufficient to meet the demand at the time, We have derived great benefit from this method of Chinese printing, as v e employ the domestic help in our homes to strike off copies of the books on religious and scientific subjects which we translate into Chinese from the languages in which they were written originally, In truth, the whole method is so simple that one is tempted to try it for himself after once having watched the process. The simplicity of Chinese printing is what accounts for the exceedingly large numbers of books in circulation here and the ridiculously low prices at which they are sold. Such facts as these would scarcely be believed by one who had not witnessed them.

They have another odd method of reproducing reliefs which have been cut into marble or wood, An epitaph, for example, or a picture set out in low relief on marble or on wood, is covered with a piece of moist paper which in turn is overlayed with several pieces of cloth. Then the entire surface is beaten with a small mallet until all the lineaments of the relief are impressed upon the paper. When the. paper dries, ink or some other coloring substance is applied with a light touch, after which only the impression of the relief stands out on the original whiteness of the paper. This method cannot be employed when the relief is shallow; or trade in delicate lines.